The Influencer Factory: A Marxist Theory of Corporate Personhood on YouTube (coauthored with Katherine Guinness)
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Publisher: Stanford University Press
APRIL 2024
248 PAGES
FROM $28.00
Hardcover ISBN: 9781503637924
Paperback ISBN: 9781503638792
Buy it from the publisher, or from Amazon.
Click here to see our discussion of the book on The Page 99 Test.
The ideas from this book have been discussed by artists Lizzy Deacon and Ika Schwander in an interview for Émergent Magazine.
The novelist and digital media strategist Andrew Ladd has discussed our book at length in a fantastic post on his blog.
APRIL 2024
248 PAGES
FROM $28.00
Hardcover ISBN: 9781503637924
Paperback ISBN: 9781503638792
Buy it from the publisher, or from Amazon.
The ideas from this book have been discussed by artists Lizzy Deacon and Ika Schwander in an interview for Émergent Magazine.
The novelist and digital media strategist Andrew Ladd has discussed our book at length in a fantastic post on his blog.
Influencers are more than social media personalities who attract attention for brands, argue Grant Bollmer and Katherine Guinness. They are figures of a new transformation in capitalism, in which the logic of the self is indistinguishable from the logic of the corporation.
Influencers are emblematic of what Bollmer and Guinness call the "Corpocene:" a moment in capitalism in which individuals achieve the status of living, breathing, talking corporations. Behind the veneer of leisure and indulgence, most influencers are laboring daily, usually for pittance wages, to manufacture a commodity called "the self"—a raw material for brands to use—with the dream of becoming corporations in human form by owning and investing in the products they sell. Refuting the theory that digital labor and economies are immaterial, Bollmer and Guinness search influencer content for evidence of the material infrastructure of capitalism. Each chapter looks to what literally appears in the backgrounds of videos and images: the houses, cars, warehouses, and spaces of the market that point back to the manufacturing and circulation of consumer goods. Demonstrating the material reality of producing the self as a commodity, The Influencer Factory makes a crucial contribution to our understanding of contemporary economic life.
"Don't read this book if you want to learn how to become an influencer. Do read this book if you're concerned about 'the self' being reduced to a mere product circulating on an endless social media reel. As Bollmer and Guinness convincingly demonstrate, influencer culture is only about celebrity and entertainment on the surface. The real story here concerns the reorganization of capital in the 21st century, and this is a story we all need to understand as it is ultimately about how workers who once made products have become products."
—Kate Eichhorn, The New School
"A dazzling and organic application of cultural theory, The Influencer Factory is a lively and provocative read for anyone invested in understanding how a new, expansive, and important sector of our cultural economy works."
—Michael Palm, The University of North Carolina at Chapel Hill
"At the intersection of authenticity, identity, and commerce, we find Bollmer and Guinness engaged in next-gen platform capitalism studies. The Influencer Factory nimbly combines digital media theory and political economy, with attention to the labor and infrastructure behind the corporate self."
—Alexandra Juhasz, Brooklyn College CUNY
"This compelling book gives voice to the often-invisible work of influencers. From the house and car to market and warehouse, The Influencer Factory puts influencers, their work and what they reflect about contemporary media culture into context—historically, socially, and culturally."
—Larissa Hjorth, RMIT University, Melbourne
“I can’t remember the last time a book blew my mind quite so completely. I feel like this is how nineteenth century proletarians must have felt reading Marx: like it just perfectly describes every last tiny indignity of working life, even the ones you’d never fully noticed before.”
—Andrew Ladd, digital media strategist and novelist, author of NYPL Young Lions Award finalist What Ends
Influencers are emblematic of what Bollmer and Guinness call the "Corpocene:" a moment in capitalism in which individuals achieve the status of living, breathing, talking corporations. Behind the veneer of leisure and indulgence, most influencers are laboring daily, usually for pittance wages, to manufacture a commodity called "the self"—a raw material for brands to use—with the dream of becoming corporations in human form by owning and investing in the products they sell. Refuting the theory that digital labor and economies are immaterial, Bollmer and Guinness search influencer content for evidence of the material infrastructure of capitalism. Each chapter looks to what literally appears in the backgrounds of videos and images: the houses, cars, warehouses, and spaces of the market that point back to the manufacturing and circulation of consumer goods. Demonstrating the material reality of producing the self as a commodity, The Influencer Factory makes a crucial contribution to our understanding of contemporary economic life.
"Don't read this book if you want to learn how to become an influencer. Do read this book if you're concerned about 'the self' being reduced to a mere product circulating on an endless social media reel. As Bollmer and Guinness convincingly demonstrate, influencer culture is only about celebrity and entertainment on the surface. The real story here concerns the reorganization of capital in the 21st century, and this is a story we all need to understand as it is ultimately about how workers who once made products have become products."
—Kate Eichhorn, The New School
"A dazzling and organic application of cultural theory, The Influencer Factory is a lively and provocative read for anyone invested in understanding how a new, expansive, and important sector of our cultural economy works."
—Michael Palm, The University of North Carolina at Chapel Hill
"At the intersection of authenticity, identity, and commerce, we find Bollmer and Guinness engaged in next-gen platform capitalism studies. The Influencer Factory nimbly combines digital media theory and political economy, with attention to the labor and infrastructure behind the corporate self."
—Alexandra Juhasz, Brooklyn College CUNY
"This compelling book gives voice to the often-invisible work of influencers. From the house and car to market and warehouse, The Influencer Factory puts influencers, their work and what they reflect about contemporary media culture into context—historically, socially, and culturally."
—Larissa Hjorth, RMIT University, Melbourne
“I can’t remember the last time a book blew my mind quite so completely. I feel like this is how nineteenth century proletarians must have felt reading Marx: like it just perfectly describes every last tiny indignity of working life, even the ones you’d never fully noticed before.”
—Andrew Ladd, digital media strategist and novelist, author of NYPL Young Lions Award finalist What Ends